This paper analyzes director Roberto Fiesco’s narrative and ethnographic approach in the documentary Quebranto (2013), focusing on Coral Bonelli, a transgender woman, dancer, and sex worker from Mexico City. The article explores how Fiesco’s strategies convey Bonelli’s trascendance through archival footage, performance, and narrative information, pushing the boundaries of documentary cinema in representing queer subjectivity.

Romo, Raúl. (2025) Cuerpo y archivo en movimiento: actos corporalizados y resistencia trans* en Quebranto (2013). Mester, 53.
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